Habbat Qamhحبة قمح

Translated to Arabic, «A Grain of Wheat», a novel first published in 1967, by Kenyan author and academic, Ngũgĩ wa Thiong'o (b. 1938). With translation of Abd al-Karim Mahfud.

«The novel weaves together several stories set during the state of emergency in Kenya's struggle for independence (1952–59), focusing on the quiet Mugo, whose life is ruled by a dark secret. The plot revolves around his home village's preparations for Kenya's independence day celebration, Uhuru day. On that day, former resistance fighters General R and Koinandu plan on publicly executing the traitor who betrayed Kihika (a heroic resistance fighter hailing from the village).» (Wikipedia)

Description from Penguin Modern Classic 2010 English Edition:
A masterly story of myth, rebellion, love, friendship and betrayal from one of Africa's great writers, Ngugi wa Thiong'o....

It is 1963 and Kenya is on the verge of Uhuru - Independence Day. The mighty British government has been toppled, and in the lull between the fighting and the new world, colonized and colonizer alike reflect on what they have gained and lost. In the village of Thabai, the men and women who live there have been transformed irrevocably by the uprising. Kihika, legendary rebel leader, was fatally betrayed to the white man. Gikonyo's marriage to the beautiful Mumbi was destroyed when he was imprisoned, while her life has been shattered in other ways. And Mugo, brave survivor of the camps and now a village hero, harbours a terrible secret. As events unfold, compromises are forced, friendships are betrayed and loves are tested.

Kenyan novelist and playwright Ngugi wa Thiong'o is the author of Weep Not Child (1964), The River Between (1965), and Petals of Blood (1977). Ngugi was chair of the Department of Literature at the University of Nairobi from 1972 to 1977. He left Kenya in 1982 and taught at various universities in the United States before he became professor of comparative literature and performance studies at New York University in 1992.
'With Ngugi history is a living tissue ... this book adds cubits to his already considerable stature'
Guardian